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Pottery Thoughts

The Party

What was the best part of the party for me? I could say that not raining was the best part since the party was outside. I could say the food, since it was the FIRST time I'd ever had Paella.

But no, the best part was the friends old and new, some of whom drove hours just to celebrate with us. The friends who couldn't be here who took photos of their collections and sent them to us. The friends who called or took us to the Players or out for drinks in the following weeks. 

I'd include the music, which was the first time I'd ever learned of murder ballads or death folk (google that and be amazed). 

Again, it it weren't for all our friends we would have had a lonely evening, so-----

Thank You to all who came, sent well wishes and pottery photos

and gave us presents. We probably didn't get to talk to everyone but we did try.

Thanks also to Nick Hoover and Jess Holland: 'Death Folk' for their amazing and beautiful music;


The Brew Coffee House in Ellison Bay for the delectable Ooo Laalaa's and coffee, Island Orchard Cider House for the best cider ever and


Scott McEvoy Culinaria for making that yummy paella which everyone raved about.



Thanks to Martha Beller of Tweak, who gave us good advice; to Pat Keenan Graphic Design for her artwork in our ads, to the Peninsula Pulse and Kathleen Maci for that glowing article about John.


Thanks most of all to our children- Vanya, Tim and Carly, Shannon and Ella and granddaughters Taylor and Isabelle--everyone got a chance to help us prepare and host this party and for that we are forever proud and grateful.  



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'Living the Potter's Life" by Kathleen Maci

Time has a way of shaping a person, much like clay in a potter's hands. And as trends change, often the potter and his work will change. So it goes with potter John Dietrich, owner of Ellison Bay Pottery, who has been working with clay, glazes and paints for close to a half a century.

His parents, Tom and Margaret Dietrich, were painters and his father used to teach at The Clearing during summers allowing young John to spend memorable weeks in the open spaces of Ellison Bay picking cherries and playing with Lee Telfer. He smiles as he tells me that 10 days before graduating from Lawrence University back in the 1960s he finally took a pottery class "mostly for an easy credit," but, he adds, "I fell in love with throwing – the process of throwing."

Unannounced in 1968 he contacted Abe Cohn at the Potters Wheel about being his assistant.

"Six years later, in the summer of 1974," Dietrich continues with a reflective gaze, "during the last year of my apprenticeship with Abe, he tells me, it's about time, meaning – time to get my own studio."

Determined to follow his mentor's advice he went to get a plat book at the bank in Sister Bay where he struck up a conversation with teller Ruth Telfer about her grandfather's barn and 10 acres of property on Garrett Bay Road, a place that conjured up fond memories of his childhood.

"Finding out the barn and property was available for sale I did what any rational person would do – I went to Wilson's for a cherry Coke," Dietrich recalls with a smile. Thus began Dietrich's pottery career in Ellison Bay.

"Unbeknownst to me I was much like a painter, applying colors while the pot is still wet showing emotion and life. I layer color and texture. I wanted to express confidence, wanted to reflect shapes – in human and animals – the energy that naturally exists."

His parents were the benchmark of excellence. Everything he made he made first for his parents – if it wasn't good enough for his parents he would not sell it in his studio.

After 20 years of focused pottery work he met his wife, Diane McNeil in 1994, while singing with the Peninsula Chamber Singers; he was a tenor and McNeil an alto. McNeil was a dairy farmer in Baileys Harbor, divorced with four children. Dietrich had never been married.

"Those were challenging days," McNeil recalls. "It was a difficult adjustment for the children." Yet, clearly, their art has been a bond. McNeil previously was a bead artist and writer, now she is a clay artist in her own right. Together they work not only on creating but educating customers.

"In today's generation," McNeil interjects, "there's less emphasis on working with one's hands. More often than not people do not understand the process of art, the amount of steps and work that goes into each one-of-a-kind piece. They think if they buy six mugs they can bargain – there's no understanding that the same amount of time goes into making each mug."

The heyday of artists in Door County goes back to the 1980s – and today's customers tend to purchase smaller pieces such as bowls, cups, mugs, vases and candleholders.

Most interesting is the thought that Dietrich and McNeil put into their creations. Take for example, the mug. Dietrich tells me customers want a mug with a handle that feels good – that is ergonomically correct. "Look at the shape of your thumb – the design element of it – the handle of a mug should mimic this design." He holds up his thumb showing off its shapes and tells me that he is always thinking thoughts – exploring new shapes and ideas. "We want our work to function."

Diane McNeil's pottery pieces are a result of hand-building rather than throwing, and they have a whimsical quality to them – like the curved birdhouse infused with movement.

Together they continue to build upon the legacy Dietrich began 40 years ago when he began giving back to the community. Dietrich, while a member of the Men's Club in Ellison Bay helped raise money to build the gazebo, the ballpark and the skating rink. He was director and exhibitor for Olde Ellison Bay Days Art Fair from 1980 to 1995.

To celebrate Dietrich's ongoing legacy in Ellison Bay, McNeil is planning a 40th celebration of his clay art and business on Aug. 24. There will be coffee and Oo LaLa's (lingonberries, dark chocolate, brie and cream cheese in puff pastry) from Brew Coffeehouse, cider from Island Orchard Cider, music from Nick Hoover and Jess Holland from 4 – 7 pm, and a photo booth for people to take selfies while holding pieces of pottery.

McNeil also asks that long-time customers send photos of their John Dietrich collection to so those can be shared at the celebration.

As a final note McNeil says, "Everyone and their mother is invited, even if it's only to listen to Nick and Jess!"


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The Early Years: Camping in the Barn


The first years after 1974 here were almost like camping.
John had no running water, just a cold water hose from Sid Telfer's house. No indoor plumbing; instead he had a four holer and a five holer outhouse, which were still approved. He heated the barn, which was not insulated, with a huge wood burning stove. 
Each morning John would wake up, cozy in his sleeping bag, and contemplate the morning ritual to come. 
If he hadn't had supportive, understanding and patient friends making their warm bathrooms available to John for showering etc. he might not have had such an easy time of it. 
That first winter didn't have much pottery making going on. The 'studio', such as it was, was too cold. He focused on remodeling the studio and gallery instead, and kept himself warm with cross country skiing, something he was passionate about. 
His dad, artist Tom Dietrich, was newly retired from Lawrence University, and was very helpful during the remodeling process. There were also volleyball games at the Gibraltar school during the winter. Getting out and doing something else kept mind and body together.
But the goal, always, was to get back to the wheel, so most of the days were devoted to that end. No matter how cold the water or clay got, there was a way to warm up and get to potting.

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